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John McIntyre, The Grammar Expert

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We wanted to get to know John McIntyre (NAIWE’s Grammar Expert) better, so last month we sat down with him. Here is what he shared with us.

Remind us why we should be interested in metaphors.

Because human beings are deeply motivated to seek out patterns, comparisons, and correspondences, we are awash in metaphors. Comparing one thing to another leaves us feeling that we have both a sharper and a broader understanding.

And this does not happen exclusively in poetry or more ornate prose. We are bathed in metaphors in our daily speech, some of them so deeply embedded that we no longer perceive them as metaphors.

For example, when we relinquish control of something to someone else, we say that we give that other party “free rein.” It evokes the era of horseback riding, when a rider would drop the reins, giving up control of the horse and going wherever the horse chose to go.

Of course, since most of us no longer ride horses, that image has faded, permitting the frequent, and misguided, substitution of the meaningless homonym, “free reign.”

 

How do metaphors enhance an author’s writing?

They make it interesting.

Infusions of a metaphor into prose can make it more vivid. Without a metaphor, or allied tropes from classical rhetoric, a text would inspire as much interest in the reader as the terms and conditions of your cellphone contract.

 

Can you give us an example?

Frank Roylance, a reporter at The Baltimore Sun, filed an article on physics that employed a simile to help the reader understand a technical point: “Capturing data on the most powerful and mysterious explosion in the universe is a bit like swatting flies. The blasts, called gamma ray bursts, are usually too quick.”

 

If a metaphor is such a good thing, why do we need your workshop?

With metaphors, as with everything else, we are not always the best judges of our own work. Writers can fall in love with a metaphor because they thought it up all by themselves and are not able to recognize that it may be strained or that it carries an unintended double meaning.

That’s why [cough] you need an editor.

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Everyone appreciates an apt simile or striking metaphor. Figurative language enlivens prose and aids the reader’s understanding. But it is easy to get entangled in mixed metaphors, comparisons that fizzle, or images that convey the opposite of what the writer intends. And writers are not always the best judges of their effects. John McIntyre, who has been a working newspaper editor for four decades, will take you on a tour of regrettable metaphors and explain how they fail to achieve their purpose. Some laughter may be involved.

You can join in this conversation on December 15, at 2 pm eastern, when NAIWE will host a discussion on figurative language. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Brian Schwartz, The Self-Publishing Expert

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We wanted to get to know Brian Schwartz (NAIWE’s Self-Publishing Expert) better, so last month we sat down with him. Here is what he shared with us.

Can an author’s website be “one and done?” Or how can it be updated if there is nothing to update?

At a minimum, it should be updated at least once every 3-6 months. Google has a tendency to rank sites higher that contain fresh content. But it’s also a fatal flaw to include so much information that the visitor’s curiosity is piqued, losing out on a sale. Less is more. I’ll discuss strategies to reserve the bulk of your content for those who’ve already purchased your book.

 

What is the most common mistake you see on an author website?

Not using a generic (untracked) URL. By just copying and pasting the URL from your browser, every visitor is ‘tagged’ as someone you sent to Amazon (and therefore who you have a personal relationship with) and one theory is that this is one of the tools Amazon is using to block reviews. Also, each page should have a single call-to-action. I will cover several examples during the webinar.

 

How much time should an author spend updating their website each week?

As little as possible! Authors should spend that time instead writing guest posts for other websites and doing whatever it takes to get their own site linked to from on other websites (blogs, podcasts, media, etc.). Links from other reputable sites are the fastest way to boost your Google ranking. Even if you can’t get another website owner to write about you, there are plenty of sites where you can publish yourself (and include a link back to your website), i.e., Medium, LinkedIn, YouTube, Wikipedia, Quora, etc.

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The internet has impacted nearly every industry and books are no exception. In this webinar, Brian Schwartz showcases how bestselling authors are taking advantage of the web to increase value, grow sales, and connect with readers. He’ll also touch on the key elements of an effective author website and the common mistakes. You’ll hear the 5-figure tip Brian gave an author regarding a video that went viral.

If you feel like a deer in the headlights when you go online, Brian Schwartz will show you the simple steps you can take. From optimizing yourself on Amazon to more advanced tactics that can improve your search engine rankings, you will discover ways to webify your book to gain more reviews, grow readership, and ultimately increase profits. In a post-COVID world with the majority of your readers only a click away, you’ll see why timing has never been better to unlock your book’s full potential.

You can join in this conversation on November 19, at 6 pm eastern, when NAIWE will host a discussion on elements of an effective author website. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Claudia Suzanne, The Ghostwriting Expert

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We wanted to get to know Claudia Suzanne (NAIWE’s Ghostwriting Expert) better, so last month we sat down with her. Here is what she shared with us.

What is a certified ghostwriter?

There are two types of certified ghostwriters. The first is offered by Certified Professional Ghostwriter, which covers the “dedication, competency, and ethics of ghostwriters.” I know little about this course.

The second kind of certified ghostwriter has completed a rigorous, award-winning 13-month training program that covers the specific skills, industry knowledge, and ghostwriting psychology and mindset transitions necessary to command (not hunt for) high-end professional clients and fees. Their certification comes from California State University, Long Beach. They are industry insiders and solopreneurs, not freelancers.

 

What can a ghostwriter do that I as the author cannot do?

Honestly, nothing—if the author can disassociate from their own work; has the time to learn the realities of the book industry, its supply-chain needs, and standards; and can find a counterpoint who understands musical line editing. All that not only takes a lot of time, it runs counter to the author’s true purpose, which is to share their knowledge, insights, or story. Think of it this way: authors create art . . . ghostwriters massage, tweak, and polish it.

 

Are ghostwriters limited to certain genres?

Not at all. They can specialize if they want—I know a lot of ghosts who only do business books or memoirs or self-help titles or fiction—or they can do it all. Depends on the individual.

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Join Claudia Suzanne, the Ghostwriting Expert, as she reveals insider truths about the book industry, and how a Certified Ghostwriter can give your title a better chance in the marketplace. Learn:

  • How the history of publishing works both for and against you
  • How to position your book before you start writing it, not after you finish it
  • The top four fiction and nonfiction issues that turn off readers
  • The truth behind “platform”
  • Insider business tricks that really matter
  • … and much more.

You can join in this conversation on October 22, at 3 pm eastern, when NAIWE will host a discussion on ghostwriters assisting in the publishing process. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Tina Glasneck, The Book Promotions Expert

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We wanted to get to know Tina Glasneck (NAIWE’s Book Promotions Expert) better, so last month we sat down with her. Here is what she shared with us.

What is one thing that you learned about your craft the hard way, and what benefits have you received from it? Can these benefits be broadened to include book promotions?

The most important thing to recognize for one’s craft is that of identifying the target audience, as a book is not written for everyone. It must have a specific audience in mind. Genres, of course, are there to assist readers in locating books that they like. Often, there are specific tropes that are used in the genre.

For example, romance requires a happy for now or happily-ever-after ending. If it does not meet that standard, then it cannot be classified as a romance. If it will be advertised as a romance, the genre tropes and requirements are something to keep in mind when it comes to crafting the novel, as well as the later marketing of it.

 

What has been your most rewarding book promotions avenue, and how was it rewarding? Self? Monetary? Clients?

I believe that the best thing an author can do is grow their newsletter, and that growth is from where most of my success continues to come.

It is through my newsletter that I can create relationships with my readers, who frequently will then share news of my books with their circle of friends. All other promotion has its uses, but for long-term growth, the newsletter is the best way to continue to grow it.

 

What do you associate with book promotions?

Book promotion is when the goal is to promote or make an audience aware of a particular book. This can include, but is not limited to

  1. paid ads (like Facebook, Amazon, and BookBub ads)
  2. paid newsletter ads (These are ads in book newsletters. Note: some are genre-specific.)
  3. newsletter swaps (when authors share the news of a different author’s book to their audience)
  4. free or cost-efficient promo (posting in Facebook groups, blogging, guest blogging, multi-author book fairs, tweeting, using social media to push the book without paying, creating a perma-free book to drive sales to other books in a series, creating a lead magnet to get new readers to sign up for your newsletter, etc.).

Paying for expensive book promotion only makes sense if one has more than one book in a series, or other books available that a reader can purchase. Book promotion is to advertise and to make readers aware of a product. It is best to use cheaper options, all within one’s author budget before one launches the more advanced ad campaigns.

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Are you struggling with what you can do to make your books a success? Are you overwhelmed with what you need to do to get eyes on your latest book-baby? Join USA Today bestselling author Tina Glasneck as she gives practical advice on what you can apply to your writing career to find readers and gain success. This webinar will dig into the basics and provide practical tips that you can implement right away to start you on your successful author journey.

You can join in this conversation on September 24, at 8 pm eastern, when NAIWE will host a discussion on finding readers to gain success. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Dana Sitar, The Headline Expert

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We wanted to get to know Dana Sitar (NAIWE’s Headline Expert) better, so last month we sat down with her. Here is what she shared with us.

 

What has been your most effective headline, and what platform was it for?

I don’t have data to say for sure, but this example comes to mind right away: In 2014, I wrote an article for HuffPost titled “Your Toddler Might Be Gay,” which got a ton of a attention. The biggest factor, likely, was that both LGBTQ issues and children are subjects on their own that elicit a ton of emotion in people. The headline includes hooks that are valuable regardless of the topic, though: “Your” speaks directly to the reader and suggests something “might be” something which creates curiosity that makes them want to learn more. The article is about the danger of treating straight identities as the default, but I don’t give that away in the headline.

 

How often are headlines changed?

This depends on the publication, the content, and the publication’s goals. When I’ve written for sites that rely heavily on advertising to attract traffic, we frequently tested and changed out headlines to give an article new life without rewriting. On sites that rely on search traffic, headlines were often more stagnant.

 

How do you add personality to a headline?

Writing the headline as a statement (“Do These 6 Things Every Morning If You Want to Make More Money”) is a good place to start, because it mimics how we speak. Think about who your audience is—what are they like, where do they come from, and what do they know?—and who you are in relation to them—an expert, a teacher, a peer, an entertainer, for example. Write headlines as if you’re speaking to the audience from that position.

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A single headline is not sufficient for most content in digital publishing. Readers access your content in a variety of contexts, and the headline that’s effective in one context is often less effective in another. This training shows you how to craft headlines that catch readers’ attention across platforms, including websites, social media, email and search.

You can join in this conversation on August 27, at 4 pm eastern, when NAIWE will host a discussion on writing headlines for a variety of platforms. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Kristen Fischer, The Journalism Expert

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We wanted to get to know Kristen Fischer (NAIWE’s Journalism Expert) better, so last month we sat down with her. Here is what she shared with us.

 

What defines a source?

A source is a person with the credentials applicable to lend credibility to a story.

 

What are ways to verify a source?

My favorite way is to Google the source’s name. Also, visit the institution they are currently at to ensure that they are, in fact, employed there.

 

What are some of the credentials to look for in a source?

If you’re writing a story about cancer, you’d probably want to talk to an oncologist if you need a professional source. There are certain credentials you may want for different topics; for that cancer article, the oncologist should be an M.D., for example. You may also want to see if that source authored research or wrote a book on the topic. If they are a member of a related trade association, that looks good as well. You just want someone currently working in a related role or someone retired who was highly regarded in the field.

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Want to know how to quickly find reputable sources? We’ll go through tips and tricks from journalists to find the right sources for stories–in a pinch. This will include experts for quotes, as well as written research for articles.

You can join in this conversation on July 20, at 4 pm eastern, when NAIWE will host a discussion on finding sources. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Mark Allen, The AP Stylebook Expert

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We wanted to get to know Mark Allen (NAIWE’s AP Stylebook Expert) better, so last month we sat down with him. Here is what he shared with us.

 

Does this edition have more changes than in past editions?

There are fewer changes this time around and not as many big changes as we’ve had in the past. The AP Stylebook editors want their usage advice to reflect what’s going on in the world, and sometimes that means changing long-standing quirks to reflect reality. Changing the way things have always been done is what causes an uproar each year on social media, as with accepting “over” for numerical differences in 2018.

For 2020, there are many significant changes that didn’t cause a stir on Twitter. Some of the changes come in the area of conscious language and dehumanizing terms: gender neutrality, older adults, sexual harassment and sexual misconduct, disabilities and addiction, homelessness. I count 83 new entries and 69 updated entries for this edition.

 

Did the COVID-19 pandemic play any part in what was changed?

The thing AP Stylebook does better than other reference sources is keep up with the news of the day. The coronaviruses entry was added online on February 3 and expanded to 368 words for the print edition. The Stylebook has had usage advice on pandemic since 2007, and the editors saw no need to update it.

 

What change were you most surprised to see?

The most surprising change was not a new entry but a business decision to publish the book in physical form every two years instead of every year. That was surprising because physical books still tend to make more money than online subscriptions, but there are many reasons that the online edition is superior. Some other surprises came in updates to entries that had only recently being updated, proving if nothing else that the editors of the AP Stylebook are listening to feedback.

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Changes are plentiful if not dramatic in this year’s Associated Press Stylebook, published in May. The growing reference tome offers advice on gender-neutral language and language dealing with sexual assault. It cautions against the “senior citizen” label. And it says “mistress” is not a very useful term. AP Stylebook Expert Mark Allen will run down all the updates in the new edition and talk about moves away from the paper book and toward doing more online.

You can join in this conversation on June 29, at 7 pm eastern, when NAIWE will host a discussion on the 2020 updates of the AP Stylebook. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

MJ Courchesne, The Copyright & Permissions Expert

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We wanted to get to know MJ Courchesne (NAIWE’s Copyright & Permissions Expert) better, so last month we sat down with her. Here is what she shared with us.

 

In what situations must permission be obtained?

If you do not own the copyright to a piece of intellectual property (whether text, photos, or art), in many cases you should obtain permission prior to incorporating it into your work. Although there are exceptions, it’s important to understand when you should seek permission.

 

Is there standard language or a template of a permission letter?

There are certain items that should be in every permission request including but not limited to the name of your publication, when it’s publishing, what format(s) your work will be published in, as well as language(s) and territory (territories) it will publish in.

 

In the writing industry, besides publishers, who else requires permissions?

Anyone wishing to re-use intellectual property that is not their original creation should consider whether they need permission before re-using, adapting, or putting the original IP into a new format.

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Learn the ins and outs of what publishers require when they ask you to “clear” permission for third-party materials you are incorporating into your work. What things do you need to have in a permission agreement, and how do you go about getting permission anyway? How long will this process take?

You can join in this conversation on May 27, at 3 pm eastern, when NAIWE will host a discussion on handling permissions. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Ruth Thaler-Carter, The Networking Expert

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We wanted to get to know Ruth Thaler-Carter (NAIWE’s Networking Expert) better, so last month we sat down with her. Here is what she shared with us.

 

A common misconception of networking is to talk up ourselves, but this is not how it works. Instead, would you suggest take a 180 degree turn and spend your time learning about other people and their services?

Absolutely. Networking is a two-way process, and it starts with the other person. You want to be seen as someone who knows how to listen and learn from colleagues, and then as someone who can offer advice, resources, and other aspects of helping each other do our work better.

 

What are two synonyms you have for the word networking?

Interacting, two-way process

 

With social distancing in effect and other restrictions in place due to the COVID 19 pandemic, what changes will we see in the networking world?

Networking is likely to become more and more virtual, with meetings—both two-person and large-group—being held electronically, whether through something like Zoom or Skype (where you can see each other) or by teleconference. Some organizations won’t be able to hold large events such as annual conferences and might break those events into smaller pieces and offer sessions as webinars. Some organizations are going to lose a lot of money because of having to cancel their annual conferences, so networking will be more valuable but harder to do on a large-scale basis.

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Networking is more than a common buzzword; it’s an important key to success as an independent writer or editor. Learn about the best ways to make networking an effective, functional element of your independent business, as well as what not to do.

You can join in this conversation on April 23, at 7 pm eastern, when NAIWE will host a discussion on effective networking. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

Kajli Prince, The Tax Expert

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We wanted to get to know Kajli Prince (NAIWE’s Tax Expert) better, so last month we sat down with him. Here is what he shared with us.

For those of us who are putting funds in traditional or Roth IRAs to fund our retirement, the ages 50, 55, 59 1/2, and 72 may have implications for our taxes. Please explain the implications as they relate to taxes for freelancers.

There are really only three relevant ages, with respect to individual retirement accounts, i.e., traditional and Roth IRAs: 50, 59 1/2, and 72. Further, these ages are relevant as pertains to contributions (limits) and distributions.

Individual Retirement Account

Contributions (for 2019 and 2020)

Under age 50 = $6,000

Age 50 and older = $6,000.00 + $1,000.00 catch-up

Note: For a SEP IRA (for self-employed persons) = 20% of net self-employment (SE) income after one-half SE tax deduction, up to $57,00.00. So basically, 20% of the same number the qualified business income deduction is calculated from.

 

Distributions (for 2019 and 2020)

Under age 59 1/2, distributions (withdrawals) are subject to an additional 10% tax. And if you participate in traditional IRA (not a Roth) and are 70 1/2 years old in 2019 you must take your first required minimum distribution (RMD) by April 1, 2020. If you reach age 70 1/2 in 2020 or later you must take your first RMD by April 1 of the year after you reach 72.

 

There is no particular significance to age 55. Although, it is a good age to consider your current tax rate and the type of IRA you are making contributions to.

 

For self-employed individuals, what is considered proof of income for tax purposes?

Documentation as proof of income can be very broad for self-employed individuals. For example, you can record the fact that you paid for goods or services on a napkin while doing a business transaction in a bar. At the end of the day, you just have to be able to show documentation for whatever income and expenses you are reporting on your tax return.

 

When preparing tax returns for freelancers, what deductions have you seen are the most overlooked?

I would say the home-office deduction. But I think a close second would be retirement tax shelters and credits. I will go into more detail during the webinar, and for now I will say self-employed individuals definitely benefit from some pretty sweet perks.

__________

For those of you who are putting funds in traditional or Roth IRAs to fund your retirement, the ages 50, 55, 59 1/2, and 72 have implications for your taxes. There are limitations when it comes to IRAs whether it is a Traditional or a Roth. The various limitations have to do with income, whether or not you participate in your employer’s retirement account, your filing status, and your age.

You can join in this conversation on March 27, at 7 pm eastern, when NAIWE will host a discussion on identifying and managing difficult freelance clients. The cost for NAIWE members is only $10! Non-members can join for $30. Register today!

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